Tag Archives: California wine

Book Review: American Wine – The Ultimate Companion to the Wines and Wineries of the United States by Jancis Robinson and Linda Murphy

 

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I was very excited to crack open American Wine: The Ultimate Companion to the Wines and Wineries of the United States by Jancis Robinson and Linda Murphy, and I have to say that I was not disappointed!

To purchase American Wine: The Ultimate Companion to the Wines and Wineries of the United States by Jancis Robinson and Linda Murphy, click here to be taken to Amazon.com.

American Wine: The Ultimate Companion to the Wines and Wineries of the United States presents a wonderful history of wine in the United States, as well as how viticulture and enology have evolved in this country and how vineyards American_Wine_The_Academic_Winoand wineries continue to grow and change in an ever fluid market. Perusing through the pages, I could tell that a lot of time, energy, and research was put into the making of this book, and made me appreciate it that much more.

American Wine: The Ultimate Companion to the Wines and Wineries of the United States is basically divided up by general region of the United States (i.e. West, Southwest, Midwest, Southeast, and Northeast), subdivided by state, and then even further divided by individual American Viticulture Area (AVA). Having put together large-scale reviews during my Masters work, I can appreciate the organization and research that was required to go into creating a manuscript such as this book. There are 278 relatively large pages with small font chock full of very interesting histories and current practices for each of the many AVAs throughout the country.

American Wine: The Ultimate Companion to the Wines and Wineries of the United States, while full of fascinating information on viticulture and winemaking in the United States, also has a wonderful selection of images gracing nearly every page, highlighting much of the beauty and wonder of the many wineries throughout this country. Coupling the images with the text, the book comes together very nicely and makes an amazing gift for the wine lover in your life.

One of the great things about this book is that you don’t have to read it from cover to cover in any particular order. Skip around! Read what area of the country interests you most that day. Maybe you’re trying a wine from an area in the United States that you haven’t tried before—this book would be a wonderful companion to your wine education in regards to learning about the history and current practices of that particular area that interests you.

Seeing as how I live in Virginia, of course I made my way over to the Virginia wine section of the book relatively quickly. I felt the book captured the Virginia wine scene very well, and didn’t leave me scratching my head wondering why something was included or omitted. I was pleased to see some of my favorite wineries highlighted as “steady hands” in the Virginia wine industry, meaning that they are consistently great quality and are some of the leaders in the area (shout out specifically to Afton Mountain Vineyards, Jefferson Vineyards, King Family Vineyards, and Veritas Vineyards who were all mentioned in that section of the book!).

I highly recommend this book to anyone who enjoys reading about wine and wine history. It’s also a great resource if you’re looking for current players in the field, and if you’re curious about the up-and-coming vineyards and wineries in the United States. This book is a great value and is certainly one that I will be proudly displaying on my coffee table for the foreseeable future.

To purchase American Wine: The Ultimate Companion to the Wines and Wineries of the United States by Jancis Robinson and Linda Murphy, click here to be taken to Amazon.com.

Book Review: A Vineyard in Napa by Doug Shafer with Andy Demsky

 

Want your wine-related book reviewed?  Send me an email:  becca@academicwino.com! I’d love to read it!

There are many motivated individuals who have high hopes and grand dreams of owning a successful and world-renowned vineyard.  Some of these individuals go on to fulfill their dreams, while others run into strife and failure.  The difference between the two is that the successful people are able to persevere during the most difficult times, and make sometimes very difficult decisions in the face of peril that could make or break the future of the winery.

A Vineyard in Napa by Doug Shafer with Andy Demsky tells the story of one family who made the decision to head out to Napa and start a vineyard, the success of which was a huge unknown in their eyes for a long time.  Written by Doug Shafer, the son of John Shafer, the patriarch of Shafer Vineyards, this book tells the “life story” of the vineyard and how it evolved over the years.

Photo credit: University of California Press: http://www.ucpress.edu/img/covers/isbn13/9780520272361.jpg

A Vineyard in Napa starts off with the introduction of John Shafer, a war veteran from the suburbs of Chicago who was ready to make a career change mid-life; and a descriptive illustration of his life before Napa and the dynamics of the family Shafer.  The book is written in such a way that one gets the feeling that they really know the Shafer family, and effectively inspires the reader to “root for” the Shafer family throughout every step of the journey, from piling in the family station wagon on the move to Napa to establishing and growing the business which has continued to remain as a family business.

A Vineyard in Napa captivates the reader in such a way that you feel the desire to continue reading to find out how the Shafer’s handled impending doom and how they overcame many trials and tribulations.  Even though this book is about one vineyard, it is written in such a way that the reader really gets a sense of how establishing a growing a vineyard in Napa in the past 40-50 years was for anyone involved in the business.  There were a lot of problems and struggles along the way, from phylloxera infestations to wildfires and to AVA boundary line drawing, and this book eloquently describes stories of how the Shafer’s and other vineyards in the area survived (or failed in some cases).

Napa Valley: By Brocken Inaglory (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons

Overall, I found this a wonderful book that provides a feeling of warmth and support for the evolution of Shafer Vineyards.  They may have had some very difficult moments in time, however, stories in this book illustrate how Shafer Vineyards was able to ultimately overcome these difficulties and triumph, all the while maintaining their intimacy and rock-solid family values.

If you enjoy American history, American history of wine to be specific, A Vineyard in Napa by Doug Shafer with Andy Demsky is one which you must add to your collection!

To purchase A Vineyard in Napa by Doug Shafer with Andy Demsky for yourself or as a gift to the Wine Lover in your life, please follow this link to Amazon.com. 

Smoke Taint Revisited: What Progress Has Been Made?

The following article is a discussion between The Academic Wino and leaders in the wine treatment business in the United States.  Interviews were conducted in November 2011, so any new research since then will not be included in the discussion.

*Edit:  For an update on the most recent research that was published after these interviews were conducted, please read the first comment after this article from Bob Kreisher, who explains in excellent detail the current state of this research within the last month or so.

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Since the Mendocino, California wildfires of 2008, researchers have been attempting to find ways to mitigate the negative sensory characteristics of which smoke taint in wine is associated.  Even before these fires, Australian vineyards have been coping with the same problem, as wildfires in that region are even more frequent than they are in California or other places in the United States.

What is Smoke Taint?

Smoke taint is a condition created when grapevines are exposed to large quantities of smoke at a key point in the maturation of the grapes.  Smoke exposure from veraison to harvest results in noticeable smoke taint properties such as “smoky” and “ash” in the final wine.

Smoke volatiles are absorbed by the leaves of the vines and are bound to sugars within the plant.  These glycolated volatiles are moved throughout the plant via the xylem, ultimately accumulating in the berries.  According to Eric Herve from ETS Laboratories (locations in CA, OR, and WA), while in these conjugated forms, smoke taint volatiles are not easily detectable, and could result in false negatives.  In other words, juice samples will test negative for guaiacol and 4-methylguaiacol, currently the only known indicators of smoke taint in wine, when they are bound by sugars.  However, during fermentation, guaiacol and 4-methylguaiacol are released from these conjugated forms and are detectable in the finished wine.

Herve has since established an assay by which the free fraction of guaiacol is measured in whole berry samples instead of the juice, which tends to have much lower levels of guaiacol compared to the whole berry fraction, resulting in a higher likelihood of identifying smoke tainted samples.

What is complicated about smoke taint?

Guaiacol and 4-methylguaiacol are currently the only two compounds in smoke taint that have been identified.  What complicates the issue, however, is that there are actually many compounds that contribute to smoke taint in wines, and no others have been identified.

According to Eric Dalhberg, president of Winesecrets (locations in CA, OR, TX, VA, British Columbia and Ontario), only measuring guaiacol and 4-methylguaiacol to identify smoke tainted wines is problematic.  Some wines can have increased levels of guaiacol with no flavor impact, while other wines that are low in guaiacol can have a negative flavor impact.  Simply measuring the levels of guaiacol and 4-methylguaiacol in wines doesn’t necessarily mean that it is suffering from smoke taint, and that sensory analysis appears to be the only way to determine if smoke taint is present.  Sensory analysis of smoke tainted wines could become problematic if palette fatigue set in and created a situation where a wine is scored negative for smoke taint when in fact it was there.

Bob Kreisher, president of Mavrik North America (MNA, Santa Rosa, CA), stated that there are many compounds involved that produce a wine with the characteristic flavor of smoke taint.

Kreisher believes there is likely a synergistic effect occurring between all of the volatile compounds that contribute to smoke taint.  For example, Kreisher noted that if you take two wines below the sensory threshold for smoke taint and combine them, you might create a wine that is above the sensory threshold.  Though the identity of these compounds is unknown, the team at MNA has successfully identified the chemical characteristics of the volatiles and has applied this knowledge to their amelioration techniques.

The Australian Study

Smoke taint research is not novel, and there have been many papers published on the subject.  Recently, a team of researchers in Australia published an article claiming that they are the first to demonstrate the amelioration of smoke taint from wines using the techniques of reverse phase osmosis and solid phase adsorption to selectively remove guaiacol and 4-methylguaiacol.

The authors used a proprietary spiral wound nanofiltration membrane with a molecular weight cut-off of 150-200amu and a polystyrene based adsorbent resin.  Smoke tainted wine was pumped through under high pressure to attain flow rates of 50mL/min and 600mL/min.  Samples were collected at various times throughout the experiment, and once the process was complete, wine was bottled and stored at 15oC until sensory analysis could be performed.

However, after revisiting the ameliorated wines 6, 12, and 30 months after the treatment, the authors noted that the smoke taint characteristics gradually returned over time.

What has been done in the US?

Representatives at both Winesecrets and MNA claimed that none of the wines they treated from the 2008 wildfires suffered recurrence of smoke taint, unlike the results of the Australian study.  At Winesecrets, activated carbon is used in the solid phase adsorption step, instead of the resin that used in the Australian study.  According to Dahlberg, using activated carbon is much more effective than using resin for the removal of smoke taint from wine.

At MNA, instead of only focusing on guaiacol and 4-methylguaiacol, they targeted a range of volatile compounds by creating membranes that selectively remove compounds based on several variables.  One problem with the Australian study, according to Kreisher, is that they used membranes that only selected compounds based on molecular weight.

The problem is that there are many ways in which a compound can pass through a membrane, which are not solely dependent upon molecular weights.  By removing a range of volatile compounds, and by manipulating other variables such as electron attraction and flow rate in the solid phase adsorption step, MNA is successfully able to remove the smoke taint from the wines, without dramatically reducing the desired volatiles, and none have returned with a recurrence of smoke taint.

What caused the recurrence of smoke taint in the Australian study?

The Australian researchers claimed there was a recurrence of smoke taint as a result of 4-ethylphenol and 4-ethylguaiacol being released into the wine over time.  The problem with this claim, Kreisher says, relates to how glycobound phenols are released.  Simply put, guaiacol, 4-ethyguaiacol, and other phenols, are released from their glycolated forms during the fermentation process.  Once fermentation is complete, there is not enough sugar to release guaiacol and 4-ethylguaiacol at the levels found in the Australian study.

Kreisher believes the Australians found a recurrence of smoke taint in their wines due to the devolution of other volatile phenols into guaiacol and 4-methylguaiacol.  If they had targeted the entire range of volatile compounds to begin with, he says, they would not have found a recurrence of smoke taint in their wines.

Another mechanism for this recurrence, Kreisher elaborated, is the possible synergistic effect of the smoke taint volatile phenols that were not removed and a Brettanomyces infection.  There is a possibility that a treated wine with smoke taint volatile levels below threshold that becomes infected with Brettanomyces, an infection by which 4-ethylphenol and 4-ethylguaiacol are increased; could have a synergistic effect that results in the wine showing smoke taint above sensory threshold levels.

Concluding Remarks

Even though the Australian study is the first study demonstrating the amelioration of smoke taint from wines using the aforementioned methods, work has been occurring simultaneously in the US.  Companies in the United States appear to have established smoke taint amelioration methods that are similar to those used in the Australian study, but with key differences that eliminate the problem of smoke taint recurrence in wine.

An independent review of all known methods may be the next step toward finding the most effective smoke taint amelioration technique.

The Academic Wino would like to thank Eric Herve, Eric Dahlberg, and Bob Kreisher for taking the time to speak with us and provide us with important information for this post.

Does Smoke Exposure to Grape Vines Affect the Aroma of Wine?

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Wild fires are a relatively frequent occurrence during hot and dry spells, and tend to occur with greater frequency in some parts of the world compared to others.  Parts of Australia and the western United States, among others, are frequently prone to wild fires or bush fires, both places of which also are home to many vineyards.  Is there an effect of the smoke from these fires on the grapevines?  What about the wine that is produced from those grapes?

Studies have shown that postharvest smoke exposure on grape cluster change the chemical composition and sensory characteristics of the wine produced from them, which has become what is known as “smoke taint”.  What is relatively unknown, however, is whether or not smoke applied to the grape vines before harvest has any effect on the presence of smoke taint in the wines produced from the exposed vines.

“Smoking” some foods is commonplace around the globe, and often imparts desirable smells and flavors.  This results from the presence of certain chemical compounds such as phenols, carbonyls, lactones, etc.  Most important, however, are the volatile compounds guaiacol and 4-methylguaiacol, which are considered to be key smoke components.  The desired “smoky” effect in some wines result from the presence of these compounds, which usually come from oak barrel fermentation and/or aging; in concentrations of 100μg/L for guaiacol, and 20μg/L for 4-methylguaiacol.  It has been shown that of all the compounds derived from smoke exposure, guaiacol has the lowest threshold (the value of which is not completely known), thereby making it the compound of greatest importance, and likely the compound which could most easily alter the sensory attributes of the wine produced from smoke-exposed grapes.

The purpose of the study reviewed today was to address the question of whether or not grape vines exposed to smoke alter the aromas of wine produced from those grapes, and whether or not the timing and exposure duration affected the quality of the resulting wine.

Methods

 The vineyard for this experiment was located in Western Australia in the locality of Capel.  This particular site was chosen due to its’ infrequent exposure to smoke caused by fire, and its’ far distance from forested areas.  Several 6m x 2.5m x 2m greenhouses were constructed for each treatment, in order to enclose the smoke treatment on specific spots in the vineyard.  The smoke treatment was created by burning dry barley straw in a closed metal drum for 30 minutes.  Subsequently, an air pump was used to push the resulting smoke into the treatment greenhouses for grapevine smoke exposure.  The grape vines used for the experiment were Vitis vinifera cv. Merlot.

Two different smoke treatments were applied during this study.  The first was a single smoke exposure, and the second was a repeated smoke exposure for 8 consecutive exposure events.  Each exposure was for 30 minutes in duration.  Timing of exposure was tested by exposing the vines to their respective smoke treatment at 3, 7, 10, 15, 18, 21, or 24 days post-veraison.  A control treatment was also established, whereby vines were not exposed to any smoke for any length of time.  After harvest, wine was produced using the same winemaking techniques for all treatment types.

For the sensory analysis of the wines, 8 trained judges (4 male, 4 female) between the ages of 21 and 30 were recruited.  Judges were selected if they had obtained at least 100hours of tertiary wine sensory education, were regular wine consumers, nonsmokers, of good health, and had the ability to detect smoke aromas in both red and white wines at a minimum threshold level.  The wines were assessed for aroma only, and not taste.  The wines were presented to each judge blindly, with the wines only identified by number, and presented in random order.  Judges were allowed a 10-minute break after each sample tested, in order to avoid potential sensory fatigue.

Results

  •       Total soluble solids (TSS) from control vine grapes (unsmoked) were higher (22.3 oBrix) than the grapes from vines that were exposed to smoke (19.3oBrix).
  •        Vines exposed to smoke had the lowest fruit yield (11kg/vine) compared to nonsmoked controls (15.3kg/vine).
  •       Repeated exposure to smoke resulted in necrotic lesions on the leaves of the grape vines, compared to no lesions in the single exposure and no exposure treatments.
  •       Free amino nitrogen (FAN) in the grapes at harvest time was significantly higher in repeated smoke exposure vines (134.4mg/L) than all other treatments (non-smoked control: 87.2mg/L).  SO2 levels were also highest in the repeated smoke exposure than all other treatments.
  •       Fermentation rate was fastest for the repeated smoke exposure vines (8 days), compared to the control (non-smoked) vines (12 days).  All other smoke treatments were also faster than the control (10-12 days).
  •       Ethanol content was up to 17% lower in wines made from vines with repeated smoke exposure (10.6% v/v) compared to the wines made from non-smoked vines (12.8% v/v).  Wine made from grapes with single smoke exposure had ethanol concentrations between these two levels (between 10.9 and 12.5 % v/v).
  •       The highest levels of smoke-derived volatile phenols came from wines made from vines repeatedly exposed to smoke (388μg/L guaiacol, 93μg/L 4-methylguaiacol, 16μg/L 4-ethylguaiacol, and 58μg/L ethylphenol).  In control wines, the guaiacol level was 4μg/L, with all other phenols <1μg/L (or undetectable).
  •       For experiments with a single exposure to smoke, the highest volatile phenol levels were found at 7 days post-veraison.

http://www.edenwines.co.uk/images/veraison.jpg

Sensory Analysis

  •       Wines made from grapes of the repeated smoke exposure vines had the highest level of “off-aromas”: burnt rubber, smoked meat, leather, and disinfectant/hospital.
  •       Wines made from grapes from the non-smoked vines had the highest level of “confection” and red berry fruit aromas.
  •       Wines made from grapes with a single smoke exposure exhibited both the “off aromas” and the more pleasant wine aromas.
  •       For a  single exposure of smoke, the wines made from grapes exposed to smoke at 7 or 10 days post-veraison led to the greatest level of “off aromas”.  At 18, 21, and 24 days, the more pleasant aromas were more prominent.

What does this all mean?

The primary result of this study was that field exposure of grape vines to smoke results in smoke taint aromas in wine.  The timing of the exposure is also very important, and repeated smoke exposures result in an additive effect of those compounds that are markers for smoke taint.

Why is the timing of exposure so important?  This study showed that with a single exposure to smoke on growing vines, the timing of exposure was critical in regards to smoke taint aromas in the resultant wines.  Specifically, 7 to 10 days after veraison was the most sensitive time and the time at which more smoke taint properties were observed in the wine aroma.  This timing effect could be due to specific changes in the physiology of the plants at this time, being that peak uptake of volatiles and other components by the berries happens in this window after veraison has commenced.  Alternatively, it is possible that the leaves themselves are most sensitive during this period, thus allowing them to be more susceptible to smoke exposure and more likely to absorb those volatiles that result in the smoke taint aromas in the wine.

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The presence of smoke taint in the wine from the smoke-exposed vines created “off aroma” characteristics that overpowered the more pleasant fruit tones of non-smoke exposed wines.  The judges were able to detect all four common volatiles, guaiacol, 4-methylguaiacol, 4-ethylguaiacol, and 4-ethylphenol, even at levels once thought to be below threshold, thus even a single smoke event at the right timing can have detrimental effects on the quality of the wine produced.

The increases in FAN that was reported in this study could be due to the necrotic/damaging effects that the smoke exposure had on the grape leaves themselves.  It is likely a biochemical response to the damage, meaning when exposed to damaging levels of smoke, the plant released FAN compounds to the site of origin in order to help heal the damaged areas.

The study also showed that ripening was inhibited by the smoke exposure (regardless of when and how much was exposed), which would likely diminish the aromas of ripe fruit and berry, while allowing the aromas of smoke taint to overpower the nose even more.  Also, the increased SO2 levels in the plants exposed to smoke induced stomatal closure of the leaves (aside:  stomates are where the plants “breathe” and exchange water/other gases), which could further inhibit grape development and ripening.  Stomatal closure plus the physical damage of the leaf caused by smoke exposure would result in even more physiological damage and even less ripening of the grape itself.

Conclusion

Application of smoke to grape vines between veraison and harvest affects yield, grape composition (sugar and FAN), wine composition, wine sensory properties, and last but certainly not least, wine quality.  For a single smoke exposure event lasting thirty minutes, the most damage was done when this exposure was 7 to 10 days after veraison.  For multiple smoke exposure events, the damage was additive and cumulative, completely degrading the quality of the grapes and resulting wine.

In effect, while smoking certain food items may have positive, desired effects on the resulting food, smoking grape vines has the opposite effect on the resulting wine produced.  Even though there are sometimes hints of smoky character in some red wines, even a one-time, relatively short, smoke event creates those same phenolic compounds in too high of levels that are unpalatable as a quality wine for consumption.  

I’d love to hear from you, so please feel free to comment below!
I am not a health professional, nor do I pretend to be. Please consult your doctor before altering your alcohol consumption habits. Do not consume alcohol if you are under the age of 21. Do not drink and drive. Enjoy responsibly!